随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

一个人被困在电梯里。

繼跑步、單車、行山之後，香港人愛上露營！馬國明放假數天，與好友梁烈唯、唐詩詠商討假期安排。談論期間，有人問起「有乜好過去Camping？」，三人坐言起行，向歐洲第三大受歡迎之Camping國家德國出發。行程由慕尼黑出發，沿東北方向尋找不同形式的營地，以漢堡作終點站。 　　當地的營地接近大自然之餘，也以多元化見稱。三人走到德國參天大樹的森林、阿爾卑斯山腳下紮營，還走進以野外活動見稱的旅遊勝地菲森之營地，甚至住在樹上的凌空帳篷。他們在營地中享受大自然的美景，還親自下廚，又到溫泉區的露營勝地浸個靚浴，享受寫意人生。 　　問題來了，身為露營初哥的三人，會遇到甚麼疑難？怎樣紮營、劈柴生火，還有……

繼跑步、單車、行山之後，香港人愛上露營！馬國明放假數天，與好友梁烈唯、唐詩詠商討假期安排。談論期間，有人問起「有乜好過去Camping？」，三人坐言起行，向歐洲第三大受歡迎之Camping國家德國出發。行程由慕尼黑出發，沿東北方向尋找不同形式的營地，以漢堡作終點站。 　　當地的營地接近大自然之餘，也以多元化見稱。三人走到德國參天大樹的森林、阿爾卑斯山腳下紮營，還走進以野外活動見稱的旅遊勝地菲森之營地，甚至住在樹上的凌空帳篷。他們在營地中享受大自然的美景，還親自下廚，又到溫泉區的露營勝地浸個靚浴，享受寫意人生。 　　問題來了，身為露營初哥的三人，會遇到甚麼疑難？怎樣紮營、劈柴生火，還有……

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817

911后伊斯兰移民在美国的遭遇